Triple M is a Colorado Springs based producer and artist known for crafting cinematic, soul infused hip-hop instrumentals that blur the line between nostalgia and innovation. With roots in jazz, boom bap, and modern electronic textures, his music reflects a deep commitment to storytelling through sound. A one-man creative force, Triple M writes, records, mixes, and masters everything himself, often weaving together influences that span from Ravel and Freddie Hubbard to Pete Rock, Bonobo, and Arlo Parks. His work is both grounded and imaginative, offering listeners a world that feels lived in but fresh. Through his art, Triple M aims to uplift the community around him while building a legacy that resonates far beyond his city.
With “Ladies and Gentlemen” out now, we took some time to hear from Triple M. Read below to learn more about Triple M, the story behind “Ladies and Gentlemen,” and what’s to come.
Hi Triple M! Let’s start with how did you get your artist name?
What’s up, appreciate you having me. Triple M stands for Malcolm Makes Music. Simple, right?
What city are you from and where are you based now?
I’m based in Colorado Springs, right at the foothill of the Rocky Mountains. It’s a unique place to create from, calm but powerful. Being here has given me space to focus, build my sound, and stay grounded while still aiming for something bigger.
At what point in your life did you decide to start producing? How did you get started?
I started producing and working with music when I was a pre-teen. I never had any formal training, but I was always locked in, studying, experimenting, and trying to figure out how the music that I loved was made. I’d spend hours breaking down songs in my head, not just listening for the beat or melody, but asking myself why certain choices were made and how they made me feel.
Back then, I was working with whatever I could get. Free software, borrowed gear, anything that let me create. I taught myself how to sample, arrange, mix, and eventually produce full tracks. Every time that I learned something new, it opened a whole new level of creativity. It wasn’t about chasing perfection. It was about growing. I built my foundation through trial, error, and a real obsession with the process. Over time, that foundation became my identity as a producer.
Has your upbringing played a role in shaping who you are and defining your sound today? If so, how?
Absolutely. My upbringing shaped everything, how I hear music, how I process emotion, and how I translate feeling into sound. My dad has eclectic taste, so I grew up hearing a wide range of music. He would play Pink Floyd, Fleetwood Mac, the Eagles, Curtis Mayfield, Aretha Franklin, Donny Hathaway. There was a lot of depth, mood, and storytelling in what he listened to.
My mom leaned heavy into funk. She loved Parliament Funkadelic, Earth Wind and Fire, Michael Jackson. Music that moved, grooves that stuck with you. Between the two of them, I was surrounded by soul, funk, rock, and everything in between. That blend shaped my ear early on.
I think that’s why my sound naturally pulls from different spaces. I’m not trying to fit a mold. I’m just following what feels honest, and a lot of that honesty comes from what I was raised on.
How would you describe your sound to readers who may not be familiar with you?
I’d describe my sound as cinematic hip-hop with soul, grit, and intention. It’s boom bap at the core, but layered with jazz, funk, and atmospheric textures. It feels nostalgic in spirit, but forward thinking in execution. Every track is built to create a mood, even without words.
If you’re into music that tells a story, that makes you feel something and sit with it for a minute, there’s a good chance that you’ll connect with what I make. It’s not background music. It’s meant to be felt.
Do you have any hobbies outside of music? What do you do to stay creative?
Yeah, outside of music, I’m into anything that helps me reset mentally. I like going on drives, especially through the city or up into the mountains. It gives me space to think and breathe. I also enjoy a good trivia night. Random facts, competition, hanging with people. It’s a fun way to break up the routine and stay sharp.
Creatively, I get a lot of inspiration from street art. Murals, graffiti, installations. There’s so much raw expression in it. I’m drawn to the way it tells stories without needing to explain itself. I also listen to a wide range of music, way outside my usual genres. Staying curious is key for me. I never want to feel boxed in.
What is something about the creative process that people often misunderstand?
A lot of people think creativity is just about inspiration hitting you out of nowhere, but it’s really about discipline. Inspiration is real, but it shows up more often when you’re already working. Most of the magic happens when nobody’s watching—late nights, long sessions, trial, and error. People see the final product and think it came easy, but there’s an entire process behind that moment. You have to be willing to show up even when it’s not flowing.
Who are some of your main musical influences?
Some of my main influences include J Dilla, Pete Rock, A Tribe Called Quest, and Just Blaze. Their approach to rhythm, sampling, and emotion really shaped how I hear music. I’m also influenced by artists like Bonobo, Jamie XX, and The Avalanches, who create layered, immersive soundscapes that feel alive and cinematic.
On a deeper level, I’ve studied people like Quincy Jones, Bruce Swedien, Michael Jackson, and Jimmy Jam and Terry Lewis. I’m also drawn to composers like Debussy and Ravel, and jazz legends like Miles Davis and Herbie Hancock. Lyrically and conceptually, artists like OutKast, Nas, Kendrick Lamar, and Public Enemy have had a significant impact. Even bands like Foo Fighters and Motörhead have influenced how I think about energy and raw expression. If it’s good music, it’s good music. I’m always learning from it.
What’s one of the proudest moments of your music career so far?
One of the proudest moments for me has been staying true to myself. I said early on that this music thing was it for me, and through all the twists, setbacks, and life changes, I’m still here making music. That consistency means everything.
It might not make sense to everyone, but other musicians get it. Music isn’t just a hobby or a job. For a lot of us, it’s how we live and breathe. The fact that I’ve kept going, kept creating, and stayed authentic through it all, that is something that I’m proud of every day.
What would you say are the greatest lessons that you’ve learned so far?
One of the biggest lessons that I’ve learned is that consistency beats perfection. You can wait forever trying to make something flawless, but the real growth comes from showing up, creating, and learning as you go. The more I work, the more I evolve. Every track teaches me something new.
I’ve also learned to trust my instincts. Not every move needs validation. If it feels right and aligns with my vision, that’s enough. And maybe the most important lesson, patience. This journey takes time, and you have to be built for the long game. The wins don’t always come fast, but they hit harder when they’re real.
Is there a quote or mindset that you live by as an artist?
Slow motion is better than no motion.
Now onto your release, ‘Ladies and Gentlemen.’ What inspired this instrumental?
‘Ladies and Gentlemen’ was inspired by the energy of an active city morning. That moment when everything is in motion, cars passing, people moving with purpose, the world waking up and buzzing with potential. I wanted to capture that feeling in sound. It’s cinematic, steady, and confident, like the opening scene to whatever comes next in your life.
It also reflects where I’m at personally. Focused, intentional, and stepping into a new chapter. The track feels like forward motion. No words, just presence. It’s an introduction without having to say a thing.
What was the production process for the beat?
The production process started with a simple idea; I wanted to create something that felt like movement. I dug for sounds with texture and energy, something that captured the feel of a city coming alive. Once I found the right sample, I chopped it up and started building the foundation on my MPC. That’s really where the groove started to take shape.
From there, I layered in drums that felt intentional. I didn’t want them to overpower the vibe, but they had to guide it. I added subtle instrumentation to give it that cinematic edge and spent time shaping the mix to make sure everything had space. It was all about creating a beat that moves with purpose. Once it hit that balance, I knew it was ready.
How long did it take you to create ‘Ladies and Gentlemen?’
It came together pretty quickly once I locked into the vibe. I’d say the core of the track was built in a few focused sessions over the course of a week. The idea hit strong, and once I started building it on the MP, everything flowed.
That said, I spent a little more time fine-tuning the mix and making sure the transitions and textures felt right. I don’t like to rush the details. So, while it didn’t take forever, I gave it the space it needed to breathe and become what it was supposed to be.
What do you hope fans take away from your music and from ‘Ladies and Gentlemen?’
I hope people feel something real when they hear my music. Whether it’s motivation, reflection, peace, or even just a head nod, I want the emotion to hit without needing words. With ‘Ladies and Gentlemen,’ I hope it sets a tone. It’s meant to feel like motion, like focus, like stepping into your purpose.
More than anything, I want listeners to know that the music comes from an honest place. Every sound is intentional. Every track is a piece of my story. And if it resonates with someone on their own path, then I’ve done my job.
What words of advice do you have for people with similar aspirations?
Stay true to your voice, even when it feels like no one is listening. The world doesn’t need another copy; it needs what only you can create. Keep showing up, even on the days that you don’t feel inspired. Consistency will take you places talent alone will not.
Also, don’t wait for permission. Start with what you have, grow as you go, and stay hungry to learn. The setbacks, the doubts, the slow progress, it’s all part of it. But if this is really in you, you’ll keep coming back to it. Let that be your sign.
What’s next for you? Are you working on any upcoming projects, or do you have any upcoming shows that we should be on the lookout for?
I have a new single called ‘Red Light’ dropping on June 27. It has an upbeat summer feel to it, something you can ride to with the windows down. It’s still instrumental, but it’s lighter, more vibrant, and carries a sense of motion and freedom. Where ‘Ladies and Gentlemen’ was more cinematic and grounded, this one feels like movement in the sunshine.
I’m also working on a series of releases that each explore a different side of my sound. On top of that, I’ve got a few collaborations in the works that I’m really excited about. Some are with local artists, some from out of state, and all of them bring something fresh. I won’t say too much yet, but there’s a lot to look forward to.
Where can we follow you on social media?
You can find me on all platforms at @officialtriplem, but if you really want to stay tapped in, hit that follow on Spotify to catch all my latest music as it drops. That is the best way to support the sound directly.
For day-to-day updates, behind-the-scenes looks, and what I have got going on in life and in the studio, Instagram is the spot. That’s where I post news, release info, and keep the conversation going.
Spotify: open.spotify.com/artist/0xGne1mjHQbq1H8V6uDmo7
Instagram: instagram.com/officialtriplem
Website: www.officialtriplem.com
Appreciate every follow. It really helps more than people realize.
Thank you for the great interview; wish you much continued success!
